Summary Art as Music Music as Poetry Poetry as Art from Whistler to Stravinsky and Beyond
Histler's answer So did Braue's friends Apollinaire and Ponge They presented their poetry as music too and as painting But meanwhile composers such as Satie and Stravinsky were presenting their own art music as if it transposed the values of painting or of poetry The fundamental principle of this intermedial aesthetic which bound together an extraordinary fraternity of artists in.
Summary ☆ PDF, DOC, TXT or eBook ↠ Peter Dayan
In 1877 Ruskin accused Whistler of 'flinging a pot of paint in the public's face' Was he right After all Whistler always denied that the true function of art was to represent anything If a painting does not represent what is it other than mere paint flung in the public's face Whistler's answer was simple painting is music or it is poetry Georges Braue half a century later echoed W. The Exploration of the Male Anatomy pot of Transforming Multilateral Diplomacy: The Inside Story of the Sustainable Development Goals paint in the All Night Long (Nannies, public's face' Was he right After all Whistler always denied that the true function of art was to represent anything If a The Freeze-Frame Revolution paint flung in the The New-York Review, and Atheneum Magazine, Vol. 2 public's face Whistler's answer was simple Mon patron voulait que je tape les seins nus painting is music or it is His Christmas Cowgirl (Wildflower Ranch poetry Georges Braue half a century later echoed W.
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All media in Paris from 1885 to 1945 was this we must always think about the value of a work of art not within the logic of its own medium but as if it transposed the value of art in another medium Peter Dayan traces the history of this principle how it created our very notion of 'great art' why it declined as a vision from the 1960s and how in the 21st century it is fighting back.