Read Francesca Caccini at the Medici Court Music and the Circulation of Power Women in Culture and Society Series
Urt reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success Suzanne Cusick argues that Caccini’s career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine Tuscany’s de facto regent from 1606 to 1636 Drawing on Classical and feminist theory Cusick shows how the music Ca.
Read Ç PDF, DOC, TXT or eBook Î Suzanne G. Cusick
Ccini made for the Medici court sustained the culture that enabled Christine’s power thereby also supporting the sexual and political aims of its women A CD of rare recorded samples of Caccini’s oeuvre specially prepared further enhances this long awaited study In bringing Caccini’s surprising story so vividly to life Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.
Suzanne G. Cusick Î 0 Free read
A contemporary of Shakespeare and Monteverdi and a colleague of Galileo and Artemisia Gentileschi at the Medici court Francesca Caccini was a dominant figure of musical life there for thirty years Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for than a dozen court theatricals Caccini is best remembered today as the first woman to have composed opera Francesca Caccini at the Medici Co.